I have admired the work of Vija Celmins, whose highly rendered drawings of the surface of the sea are impressive technically and conceptually. I was challenged to do my version, the result being “Deep Blue”, 30” x 40”, with a large sea surface and a high horizon line. As a companion, I composed “Traversing the Unknown”, a seascape with a low horizon line and a massive cloud picking up varied colors of the setting sun. I don’t like to repeat myself; I tend to proceed in a theme and variation manner when composing new works.
Also in this show is a painting of an iguana isolated on a tiny island of rocks (Realm, 32” x 26”). I chose a green (land) variety of iguana for my protagonist; the marine variety are phenomenally ugly.
Having created several compositions of rocks surrounded by sea, for the last painting I finished for the show, I chose to depict water surrounded by rock. In some parts of our world, the coasts are being inundated by rising seas, in others drought is leaving precious little water. A location I visited in Iceland in 2011 provided a good illustration of this—a deep crater in the rocky, treeless terrain, filled with a mysterious pool of water. I added one of the hardy Icelandic ponies to the scene (Iceland Eye, 30” x 24”).
This describes a few of the ten paintings in “Vistas”, which will be on view at the Fountainhead Gallery, 625 W. McGraw St., Seattle, from June 2 to 25, 2016. Also exhibiting are Jennifer Frohwerk with narrative interior scenes and still life artist Beth Flor. There will be an artists’ reception open to the public on Saturday, June 4, from 5 to 7 p.m., and all are invited.